Joods historisch museum
I. Current Exhibitions
Superheroes and Schlemiels
- Superheroes and Schlemiels. Jewish Memory in Comic Strip Art (7 March until 8 June 2008)
Superman, Maus, The Rabbi’s Cat and many other heroes and anti-heroes from the art of comics feature in this exhibition of comics and graphic novels by Jewish artists. Leading comic artists present their vision of a Jewish past in original drawings, printed matter and film material. The artists include Will Eisner, Joe Kubert, Ben Katchor and Rutu Modan. The exhibition, with comics from 1910 to the present day, is a co-production by the JHM and the Musée d’art et d’histoire du Judaïsme in Paris. Read more ...
For children:
SAVING SUPERMAN with Max The Matzo An adventure in comic-strip form
Imagine, you are cycling through Amsterdam when all of a
sudden you see Max the Matzo and Superman walking along.
Superman? With our Max? You must be dreaming!
But no… It’s because of the comic-strip exhibition Superheroes
and Schlemiels. Not that Max is a schlemiel (klutz). Quite the
contrary, he is the Hollander family’s hero in the Children’s
Museum. But what a stroke of luck that his own superhero has
come to stay with him! Max is so excited he can hardly sleep.
And Superman is not his only guest. For the first time the
Hollanders have a pet: a cat. And not just any cat, but the
Rabbi’s Cat. Is he a Jewish cat? It seems that he wants to
celebrate his Bar Mitzvah... Yes really! He loves nothing more
than to sit on the bookshelf in the study.
Do you want to know more about Max the Matzo’s guests? Have you
ever finished off a comic strip by a real comics artist? Come
to the museum. Max will take you on an exciting adventure
through an exhibition full of superheroes and schlemiels. But
the Hollander household is also swarming with comic-strip
figures. Just take a look in the bookshelves in the study and
in the studio where you can finish off the comic strip about
Max and Superman.
Kurt Lubinski
- Kurt Lubinski - Photographer in Exile (7 March until 8 June 2008)
The Jewish Historical Museum is organising an exhibition of
photographs by Kurt Lubinski (1899-1969). Although this German
émigré photographer is now relatively unknown, he gained a
significant reputation as a successful photojournalist for his
travel reportages in the 1920s and 1930s, initially in Germany
and later in the Netherlands.
Lubinski began his career at the end of the 1920s as a
photographer at the Ullstein Verlag in Berlin. In 1933 he fled
Nazi Germany and emigrated to the Netherlands. He received
commissions from Dutch illustrated weeklies and was one of the
first photojournalists to travel through the remote areas of
the Soviet Union (Siberia and Central Asia), Africa and the
American Deep South. He also travelled extensively in Europe,
from Gibraltar to the Shetland Islands. In the 1930s Lubinski’s
photographs were among the first to acquaint the general public
with images of strange cultures and exotic peoples.
Lubinski’s countless reportages, the texts for which he
wrote himself, speak of his great empathy for the
underprivileged such as poor Russian peasants, nomads in
Kazakhstan, dispossessed Native Americans and black street
sweepers in the USA. People are always central to his
photography. He observed how, throughout the world, the
authenticity of age-old cultures was threatened by
modernisation, industrialisation, urbanisation and political
developments. His photographs remain, in our age of
globalisation, a silent witness to a world that has largely
disappeared.
Lubinski escaped to England before the outbreak of the Second
World War and in 1943 he emigrated to the United States. There
he abandoned photography, his archive was lost and his name
fell into obscurity.
The JHM hopes that this exhibition will restore him to his rightful place in the history of Dutch photography. It is the first time that his work will be exhibited. The majority of the photographs in the exhibition are vintage prints from the collection of Spaarnestad Photo. The exhibition coincides with the publication of a book on Lubinski by our guest curator and art and photography historian Louis Zweers.
Art of the State
- Art of the State - Contemporary Photography and Video Art from Israel (27 June until 30 November 2008)
November 2008 the Jewish Historical Museum presents the
exhibition Art of the State with photographs and video
works by sixteen artists from Israel. Through their works they
reflect upon their country: the community in which they live,
the numerous cultural and religious differences among Israel’s
population and the current political situation. Some artists
are critical while others give expression to their hopes and
dreams. The participating artists exhibit regularly in museums
and galleries around the world.
The exhibition coincides with the sixtieth anniversary of the
establishment of Israel. During its relatively short existence
Israel has been at the centre of events that have had a
widespread social impact: immigration by Jews from all around
the world, wars with its neighbouring countries and the ongoing
tension between Israelis and Palestinians. Israelis constantly
give voice to their views on the social and political situation
in their country. Some of these voices are to be heard in this
exhibition, in which artists give their personal visions of
life in Israel through photographs and video works. Some are
probing and confrontational, others are subtle and
poetic.
Lifeguard Towers by Guy Raz (1957), for example, is a
series of photographs of the beaches in Tel Aviv and Gaza. In
both places the sand, sea, horizon and even the lifeguard
towers are the same, as indeed is the need to save lives. The
works of Adi Nes (1966) are poetic and occasionally inspired by
biblical scenes. His photograph Abraham & Isaac
comments on social inequality in Israel. Pavel Wolberg (1966)
makes more journalistic photographs such as those about the
interaction between Israeli soldiers and Palestinians.
Video art is represented by, among others, Yael Bartana (1970).
Her film A Declaration shows a man rowing towards a
rock in the sea, where he replaces the Israeli flag with an
olive sapling as a symbol of peace. Dana Levy (1973)
contributes the beautiful work entitled The Dreamers
in which Israelis and Palestinians tell us about their dreams.
The participants are children, youths, prisoners and poets –
those who have an essential and symbolic need for dreams.
Art of the State includes photographs and videos by
Larry Abramson, Boaz Arad, Barry Frydlender, Amit Goren, Nir
Hod, Gaston Zvi Ickowicz, Erez Israeli, Miki Kratsman, Sigalit
Landau, Michal Rovner and Doron Solomons. Several of the works
were previously shown at the Documenta in Kassel and the Venice
Biennale.
Hendrik Werkman: The Blue Barge
- Hendrik Werkman: The Blue Barge (27 June until 30 November 2008)
From 27 June to 30 November 2008 the Jewish Historical
Museum presents the exhibition Hendrik Werkman: The Blue
Barge. The exhibition contains Werkman’s preparatory
studies for the suites of prints he made for The Blue Barge
during the Second World War as an act of resistance against the
Nazi occupation. The most famous of these is Chassidische
Legenden (Hasidic Legends). Many of the handcrafted prints
bear annotations by Werkman.
Hendrik Nicolaas Werkman (1882-1945), best known as a member of
Groningen’s artists’ association De Ploeg (The Plough), was one
of the Netherlands’ most important graphic artists. His unique
visual language was expressed in countless experiments with
printing techniques. During the war he established The Blue
Barge together with three friends. One of these was the
clergyman August Henkels, who gave Werkman a copy of Martin
Buber’s Legend of Baal-Shem (1932) in 1941. Werkman
made a series of twenty beautiful illustrations for these
Hasidic stories. The texts and images were an act of resistance
against the Nazi occupation and were intended to give courage
to the Dutch people during the war years. As a result of his
resistance work Werkman was executed by firing squad by the
Sicherheitsdienst (Security Service) on 10 April 1945.
In 1976 August Henkels’ widow presented the JHM with Werkman’s
letters to Henkels and his wife plus the complete series of
proof sheets for The Blue Barge (including the Hasidic
Legends). The JHM is exhibiting the prints (more than 60
pieces) and the correspondence between Werkman and Henkels for
the first time since 1977.
The exhibition is complemented by the concurrent exhibition
Welcoming the Stedelijk Museum: 'Druksel prints' by
Werkman organised by the Stedelijk Museum at the Van Gogh
Museum in Amsterdam (11 July – 12 October 2008). In May 2008 a
complete catalogue of Werkman’s work will also appear (H.N.
Werkman, The Complete Works, NAi Publishers, €65.00)
followed in June 2008 by a new edition of the letters of
Werkman and the members of The Blue Barge (H.N. Werkman.
Brieven rond De Blauwe Schuit (1940-1945), Uitgeverij SUN,
Amsterdam).
II. Charlotte Salomon Collection
Charlotte found a very special way of dealing with the
suicides in her family and her experiences growing up Jewish in
Berlin. She withdrew and started painting. Outdoors, in sunny
southern France, she created Life? or Theatre?.
In her work Charlotte reaches out to her audience by mingling
fantasy and reality. Her family and friends are the actors and
have appropriate pseudonyms. Her texts are simple, laced with
quotations from German literature. Charlotte also indicates
music that increases the dramatic effect. She calls Life? or
Theatre? a Singespiel or lyrical drama.
In 1943 shortly before Salomon was deported to Auschwitz she
gave the gouaches to a friend of the family, saying: 'Take good
care of them. They are my whole life.'
Charlotte’s work in the Museum collection
- general information
- characters
- biography
- literature
- photographic material
- travelling exhibitions
- films
III. Permanent Exhibitions
- JHM Children's Museum (permanent)
The JHM Kindermuseum Children's Museum is housed in the Obbene Shul, where the Jewish Hollander family lives in an inviting and playfully decorated house. The father, mother and three children each have different impressions of what it is to be Jewish. Visitors to the Hollander home can experience for themselves what is important in the Jewish tradition.
- Religion (permanent)
On the ground floor of the Great Synagogue a new exhibition focuses on Jewish religion and tradition. Visitors are soon aware of the remarkable nature of the place in which they find themselves and experience the synagogue's atmosphere. Superb ceremonial objects are shown in locations where they used to be placed in the synagogue; the furnishings emulate synagogue furniture, like the bimah - the central podium from which the Torah scroll is read in synagogue. Three-dimensional computer reconstructions of the building in different periods, historical film clips and audio recordings bring the synagogue to life. Many new films reflect the enormous diversity of contemporary Jewish life.
- History of the Jews in the Netherland (permanent)
The galleries of the Great Synagogue feature a new
presentation on the history of the Jews of the Netherlands from
1600 to 1900, shown in a chronological display. The subsequent
period, from 1900 to modern times, will eventually appear on
the galleries of the New Synagogue.
The central theme is what it has meant to be a Jew in the
Netherlands over the centuries. Where did the Jewish newcomers
who arrived in the Dutch Republic, and especially in Amsterdam
in the seventeenth century, come from? How did these Jewish
migrants organize themselves as a community in this dynamic
economic city? What kind of opportunities did they find? And
how were they restricted?
In the galleries of the New Synagogue, the new permanent exhibition on the history of the Jews in the Netherlands from 1900 to the present day is now open to the public. This exhibition is the sequel to the one in the galleries of the Great Synagogue, which spans the period 1600-1900. This fulfils the Jewish Historical Museum's wish to display the history of the Jews from their arrival in the Netherlands until the present day. The profusion of stories, objects, historical film material and interviews conducted especially for this purpose, together with the design produced by KOSSMANN.DEJONG exhibition architects, provides a sure formula for a spectacular exhibition.
Exhibitions - Archive
- 19 October 2007 until 10 February 2008 Modern Masterpieces from Moscow Russian Jewish Artists 1910-1940
- 15 June until 16 September 2007 Charlotte Salomon Work in Progress
- 15 June until 16 September 2007 Sarah Bernhardt The Art of High Drama
- 23 February until 20 May 2007 Eva Besnyö Unknown Photos
- 23 February until 20 May 2007 Robert Capa Retrospective
- 30 November 2006 until 25 February 2007 Looted, but from whom? in Hollandsche Schouwburg
- 10 November 2006 until 4 February 2007 The 'Jewish' Rembrandt
- 21 July until 8 October 2006 Satellites Photographs by Jonas Bendiksen
- 24 June until 4 September 2005 Oh, Waterlooplein… The old Jewish quarter of Amsterdam
- 18 March until 5 June 2005 Yevgeny Khaldei, Red Army photographer 1941-1946
- 19 September 2004 until 27 February 2005 Diaspora: Homelands in Exile Photographs by Frédéric Brenner
- 26 March until 29 August 2004 YIBANEH! Jewish Identity in Contemporary Architecture
- 25 January 2004 until 4 September 2005 What does it mean to be Jewish?
- 25 June 2000 until 2 October 2005 Where Mokum is Home Children’s Museum
- 3 May 1987 until 19 September 2004 Exhibitions 1987-2004